Still having barely enough reading time this June, I reached for an easy to read book,  more like an airport read…

Author :  Brad Meltzer

Date of First Publication :   September 5, 2006 (Hardcover)

Publisher of First Edition : Grand Central Publishing

This Edition’s Publication Date :  May 1, 2007  (Paperback)

This Edition’s Publisher :  Warner Vision

ISBN-10: 044661212X

ISBN-13: 978-0446612128

No. of pages :  622

The Story :

A crazed assassin attacks the U.S. Presidential entourage at a NASCAR race and changes Wes Holloway’s life forever.  Wes, the President’s aide,  survives with disfiguring facial while the President’s best friend, Ron Boyle, is shot and killed.  But after eight years, Wes spots Boyle, very much alive.  The CIA and the FBI are after him for information and the assassin is on the loose once more.  Now Wes must figure out the mystery of Boyle buried in old crossword puzzles, Freemason history and Jefferson’s two-hundred-year-old codes, before the Book of Fate catches up to him.

The Review :

One of the factors influencing my decision in purchasing a book is the one-liner reviews from respected magazines, newspapers and authors, just like  these  encouraging comments for the book:

“Move over, Da Vinci; take your code and shove it!…a page-turner.” —- Liz Smith, New York Post

“Meltzer’s tale of intrigue and pathos  in politics engrosses.”  —–  Entertainment Weekly

“A teasing code and a tireless pursuit….the jolts just keep coming.”  —- New York Daily News

Most of the time  I can rely on these little snippets.  But this is one time these people have completely missed the mark.  How they can describe this book in glowing terms make me suspect these may be paid opinions.

As a thriller, it isn’t so thrilling.  Meltzer has given us a bland plot sprinkled with mysterious symbols, both of which seem to make the book trail sadly after Dan Brown’s  wake.  With puzzles,  symbols and the references to the Freemasons (for perhaps more mystery), it looks like Meltzer is simply trying to cash in on the tidal wave from Dan Brown’s popular theme of weaving symbolism  into his thrillers.

Alright, he says he meticulously researched  everything.  I am not disputing that.  It’s just why try to style yourself, no matter how much less, after another author?

One other thing, it feels as if Meltzer is trying too hard.   Why the FreeMasons are so crucial to the plot, I haven’t a clue.  Even the schizoid character, Nico, seems simply thrown in to up  the ante albeit being an unnecessary angle.  Moreover , the whole story simply does not focus on its title, The Book of Fate, which from beginning to end appears to be  some sort of vague Bible.  There is not much reference to it nor does the plot give it any importance. I believe the novel was probably titled so because it just sounds great and  intriguing.  After all, it must sell, sell, sell!

To Read Or Not To Read :

Reading this book is like grabbing something so one has something to do.  After all I’ve said though, it isn’t very bad when you get down to reading it but it isn’t great either.  Rather mediocre.  A read, toss, and forget-about-it novel of which its mediocrity is its merit of getting you adequately by when you’re just killing time.

In A Nutshell :

In the end, you come out not clear about what the novel’s  Book of Fate really is.  Oh and the whole conspiracy theory  is really not much of an attention grabber, either.    Again, bland and boring.

The Book of Fate is definitely an airport read, if you don’t mind the watered down Dan Brown wanna-be.   It’s  engaging in the first dozen or so pages then the gripping interest peters out and the action stays on an even keel throughout the middle.  Not an engrossing piece; but guaranteed you won’t miss your plane with this one.

My Mark :  Mediocre  — A not so thrilling thriller

A respite from the fantasy-like quality of reading imposed by my two challenges.  So on to science fiction in the realm of epidemiology for a little more reality hashed into the fiction.

Author :  Juris Jurjevics

First Publication Date :  August 18, 2005  (Hardcover)

Publisher :  Viking Adult

ISBN-10: 0670034371

ISBN-13: 978-0670034376

No. of Pages :  416

The Story :

Something has killed four prominent scientists at the Trudeau station, a marvel of a habitat built  for the harsh environs of the Arctic.   Top scientists around the world who had come to the station to study this inhospitable frontier, are at a loss to explain the gruesome deaths of their colleagues.   The unknown “bug”  leaves its victims with their pupils missing and their bodies horribly contorted from excruciating spasms.

As an answer to the station’s plea for help, top epidemiologist Dr. Jessica Hanley braves the perils of the Arctic in winter to discover the nature and cure for the new disease.  No mean feat this, but on top of it, Dr. Hanley discovers a plan to sabotage her mission.  She must protect her work to find the “bug” and its cure as quickly as possible.

The Review :

The Trudeau Vector is a  biothriller with loads of  fascinating trivia.  It’s the trivia that thrills primarily over the formulaic plot.   It seems the author didn’t think much of the story line and simply followed what worked in the past with others.  He also does that “evil Russian” subplot to add  to the thrill  of the chase.   Corny but then again your concentration isn’t riveted on this angle.  It’s all on what malignant vector this author had cooked up.

What I think Jurjevics wanted to do was pack the book chock-full of info about the Arctic and epidemiology.   It really isn’t tedious if you were interested in the premise of diseases and environments in the first place. 

Take these little factoids:

“…Remember, viruses can’t really die.  They are not alive; they can’t reproduce unless they have living cells to hijack and turn into virus factories.  But toss the pieces of a virus in a test tube with living cells and it recombines, self-assembles, resurrects.”  — p. 191

“Inuit can’t do milk. We don’t have the extra enzymes to process it…”  —- p. 282

“…So what else is unusual about Inuit physiology, besides no body hair?”…” An extra artery near the heart.  Supposed to keep us warm.  We’re mostly right-handed, rarely left.  And we have small hands…”  — p.283

Some of you may want to know about the characters.  Well, character building is mediocre at best but not bad; however, Jurjevics does not make it clear what his characters are thinking.  For instance, the reader will be surprised why Dr. Hanley would  suddenly feel  like going to bed with one of the Trudeau scientists without a hint nor clue as to why she would.  Perhaps, depth is not much of an issue where thrillers are concerned, as action pacing is of prime importance.  In this, Jurjevics succeeds as the action unfolds in very good strides so that you do get engrossed in the novel.

For a debut novel, The Trudeau Vector is quite good and comes across as very well researched.  On the premise that it is so, then I have learned new things.  And I do love my fiction interspersed with hard facts.

However, I must say that the conclusion, about 5 pages toward the end,  left me a bit unsatisfied as its resolution was somewhat anti-climactic.  I guess I preferred a great bang of an ending to this one.  But then, the conclusion was plausible.  So not much complaint from me.

My Mark :  Very Good







Author :  Tom Rob Smith

Publication Date :  April 29, 2008  (Hardcover)

Publisher: Grand Central Publishing

ISBN-10: 0446402389

ISBN-13: 978-0446402385

No. of pages : 448

The Story :

It is 1953.  Stalinist Russia is adamant at being a utopian state  where equality and  contentment are the core of its existence.  For where contentment thrives, there could be no crime or evil, the spawns of Western capitalism.

Leo Demidov is an officer of the MGB, the state secret police and guardian of these ideals.  Leo believes in the system and sees the necessity of arresting anyone that is remotely suspected of undermining those very goals.  Unfortunately in an environment that breeds mistrust, Leo falls victim to suspicion as well.

With a humiliating demotion in which he and his wife, Raisa, are shipped to a small town and his parents sent to live in squalor, Leo comes to terms with finally realizing the futility and wrongness of the communist system.

Meanwhile, the impossible has been happening.   Children are being murdered across one side of the country and all murders are brutally done in the same fashion.  A serial killer is on the loose,  but authorities refuse to consider the possibility of a Western style criminal in their midst.

To survive emotionally, Leo must have a purpose.  With a strong patriotic sense despite his disappointment in the government, Leo with his wife, Raisa, make it their personal missions to stop the murders and prove the existence of an insane killer,  one no one wants to admit to.

The Review

If I were to list books that have made an impression on me, Child 44 would definitely make that list.  It opens with a gripping first chapter which promises to keep you glued to the book ’til its end.

Tom Rob Smith does an admirable job of depicting the Soviet Union under the dangerous and repressive regime of Stalin with vivid descriptions of a dystopian society (only this was real) blanketed in fear, mistrust, and poverty.  His well-reasearched background aptly describes  Stalinist Russia where  its control-paranoid government assumed guilt until innocence was proven so that most of those arrested were summarily sentenced without adequate trial.  Moreover, in the pursuit of contentment and equality,  ideals of a communist society, it  was inconceivable for the system to admit to the existence of crime outside the political sphere;  hence criminal acts such as serial killing was an aberrant phenomenon maintained to be strictly a by-product of Western freedom and capitalism and therefore cannot exist logically in a communist state.

It is in this environment that his character, Leo, must root out a serial killer, defying official state denials of the existence of such a criminal.  Leo,  is an ardent believer of the Soviet system.  Everything Leo works for is for the collective  good.  As a ranking officer of the KGB’s predecessor, the MGB, he flushes out dissident citizens or those deemed to be dangerous to the state’s equilibrium and ideals.    But when Leo suddenly realizes that his latest prisoner was undoubtedly innocent,  his purpose of helping maintain the perfect state crashes to meaninglessness.   A real patriot at heart and despite a humiliating demotion, he decides to still have faith in his country , just not in his government, and sets about making a personal mission of rooting out a serial child killer, despite the dangers of incurring the disapproval of the MGB.

Smith injects great realism in this book.  His very much flawed hero deals with events that rarely reward his efforts,  believably true in such a milieu.   Moreover, he draws from genuine events in Russian history such as the Holodomor, the horrendous famine between 1932-1933 where millions, especially in the Ukraine, perished of starvation.  Accounts have mentioned numerous cases of cannibalism at this time.  These, the Gulags,  the excesses of  party leaders, the general misery and hopelessness  were hushed behind an Iron Curtain which trapped all that did not conform to the Communist ideals of a utopia.    The angle of the serial killer is patterned after a true-to-life Soviet child murderer,  Andrei Chikatilo, nicknamed The Butcher of Rostov or The Red Ripper, who sexually abused, tortured, and murdered women and children,  from 1978-1990.  The author simply borrows his story and places it within the timeframe of 1953.

The writing is predominantly narrative;  characters’ spoken lines aren’t many and are all in italics, a rather uncommon lay-out which veers from the traditional presentation of a dialogue.   It’s refreshingly different but it works quite well.

As a debut novel, Child 44 is superb.  The strongest asset of this book  is it’s well developed atmosphere.  The setting is palpable, the characters and events seem so real that I could not stop turning the pages until I reached the end at 3:30 a.m.  However, it isn’t perfect and sadly, events toward the ending came out a bit contrived and questionable which tarnished the reading experience a bit.   It is just a teeny blight, however, not enough to render the book a disappointment.    In fact, other readers may be perfectly happy with its conclusion.   Overall, a marvelous, marvelous read!


My Mark :  Outstanding!   (Would have merited Excellence, if not for that little smudge)

It’s been more than two weeks since my last post.  I’ve been rather behind on my reading schedule with other distractions occupying most of my time.    What galvanized me to finally finish a post was a site I stumbled upon.  To my surprise and delight, a new site,  Philippine Blog Reviews,  posted a wonderful review on JO’s Bookshelf!   A big thank you to the site’s author/s.   So, I’m guiltily posting this review and hoping to stay on track this month.

Author :  John Le Carre

Date of First Publication :  December 12, 2000

Publisher of 1st Edition (Hardcover): Scribner

This Edition’s Publication Date (Paperback, Reprint Edition) :  November 2001

This Edition’s Publisher : Pocket Books Fiction

ISBN-10: 0743422910

ISBN-13: 978-0743422918

No. of pages :  576

The Story:

A wife of a British diplomat in Kenya is found naked, raped and brutally murdered;  her driver, decapitated.  Their companion, an African doctor, has gone missing.  Investigations by the British High Office, however, fail to satisfy the bereaved husband, Justin Quayle, so he undertakes his own by secreting away Tessa Quayle’s laptop and documents.

Justin discovers that his philanthropic wife, a Good Samaritan to the Africans she loved, had compiled a huge body of evidence against crime of such vile proportions involving developmental medicines, clinical trials,  both British and African governments, and large pharmaceutical companies.  Justin follows her trail only to find himself in the same danger, hunted by Tessa’s killers and by his own government, both determined to keep their secrets.

The Review :

I do like novels that take up a moral stance on real issues.  The Constant Gardener has the temerity to be a bullhorn, waking us to the existence of genuine medical crimes happening in Third World countries, mostly impoverished , vulnerable nations like Africa.  Le Carre seems to be sounding a furious call to all about awareness of apalling drug trials by large, pharmaceutical companies, bribed scientific opinions, cover ups on side effects, and the whole sick trade of getting a new, profitable drug to the First World markets.

It seems Le Carre loves layers and likes to employ this  on his characters and plot, wrapping them up in a tight onion of  surface details, then peeling their layers to reveal more as he goes along.

The novel opens with a shocking tragedy which somehow does not focus immediately on the lead character.  The author sets our attention on a supporting one and he slowly unveils his lead after shifting focus on him well after about a humdred and thirty pages or so.  What this technique does is leave us wondering at the start about the husband’s rather bland reception of his wife’s murder.  As attention increasingly shifts toward the main character, the author slowly peels back layer after layer of his personality so that by the end of the book, Justin is fully fleshed out in a very refined and gradual manner.  And thus you witness a master of characterization at work.

Take his secondary characters as well.  From a seemingly set cast, Le Carre takes us gradually behind their personas to reveal a complex set of people that give the novel an added richness and prove the author’s craft at character building.

To Read Or Not To Read :

His writing is elegant and vivid but one cannot say that he writes simply.  Nor is this novel a fast, easy read as most thrillers go.  So as much as the story is well conceived,  his writing may be a tad labyrinthine.  Just a tad, but still enough to make it difficult for some readers to get into the story.  It may be a chore keeping up with who’s who as some characters mentioned early on are referred to again  much later that the reader would have  quite forgotten him.

I also rather wish that Le Carre immersed his readers more in African life.  He skims over details giving us only tiny glimpses.  It would have made the book far more interesting if he delved on the subject a little more, not to mention the greater impact it would have had if it were able to sear his message into his reader’s minds and get them to really sympathize with the African plight.

The reading pace could be best described as erratic, at times picking up a swift tempo then slowing down to a somnambulant gait only to pick up the  brisk tread again after a while.  In other words, this is not really a page-turner that would keep one up late into the night; but, it is still a great novel that delivers a powerful urgent message and takes a very strong moral stance.

As An Aside:

If you don’t already know, this book was adapted to cinema in 2005.  Ralph Fiennes and Rachel Weisz play Justin and Tessa Quayle, respectively.   I haven’t seen the movie but after this book, I’d like to see how it played out on the big screen.

In A Nutshell:

In spite of  the tendency of the author’s writing style to be a bit complex, The Constant Gardener is a well-written book that rewards constant readers, those who invest a little more concentration in reading this, with well developed characters, insight into global malpractices of the medical world  (if one isn’t  very aware of this yet),  and of course, a darn good story.

My Mark :  Very Good

Author :  Allan Folsom

Date of Publication :  May 1999  (mass paperback)

Publisher :  Warner Books

ISBN-10: 0446604534

No. of pages :  667

The Story :

A Cardinal’s confession seals Father Daniel Addison’s fate as a VIP target of a conspiracy rooted in the highest echelons of the Vatican.  Before he disappears, he leaves a desperate message for his brother, Harry.  The cardinal vicar of Rome is suddenly assassinated and Father Daniel is blamed. Soon after, a bus explodes with Father Daniel onboard.

Harry Addision flies to Italy to claim his brother’s body, only to discover that his brother is alive but missing and himself, framed for the murder of an Italian policeman.  An American on the run in a foreign country, Harry relies on his wits and luck while on the trail of his brother, to unravel the horrific conspiracy he had unwittingly become the target of.

The Review :

Folsom tries to a spin a thriller of a grandiose scale and fails miserably.  The basis of his conspiracy encompasses elements too immense in scale and too opposite (i.e. China, the Vatican) to be woven together believably.  Well, at least by his attempts in this book.  The plot to get the Vatican to have a strong religious hold in China is just way too preposterous.

Even the characters behave unrealistically, by whom I mean:  the evil Cardinal who believes he is the reincarnation of Alexander the Great (Catholics do not believe in reincarnation);  a young nun who just has the temerity to face a man in a sheer nightgown; a very sick priest still able to fight from a wheelchair.  Moreover, the sex scenes seem forced into the story.  The story could actually do without them.

On the whole, though, Day of Confession isn’t a very bad read, if you like books equivalent to B movies.  As a thriller, it still fast-paced enough;  it’s just some stuff are hard to swallow.

In A Nutshell :

This is a book to skip if you have other options in line.  Day of Confession feels like a contrived piece by an author who needed to come up with something for a deadline.

If you were to look into other reviews, it seems people picked this up on the merit of Folsom’s earlier work, Day After Tomorrow, which everyone agrees was a smashing good thriller.  I’ve read Machiavelli Covenant last year (my review here) and it was rather enjoyable.  Perhaps, Day of Confession just happened to be this writer’s dud.

My Mark  :  Fair

As an additional book for the Fall Into Reading Challenge 2009, Second Nature was a good choice for its brevity and its unusual romance.

Author :  Alice Hoffman

First Publication Date :  February 1994

Publisher of First Edition :  G.P.  Putnam’s Sons

This Edition’s Publication Date :  April 1995  (mass paperback)

This Edition’s Publisher :  Berkley

ISBN 0-425-14681-2

No. of pages : 290

The Story :

An injured wildman is discovered by a pair of trappers and sent to a hospital for treatment and rehabilitation.  Having lived most of his life with wolves, Stephen, the “Wolfman”,  is considered unmanageable and his failure to assimilate himself in  human society signs his lifelong commitment to a mental hospital.  Before his transfer, Stephen risks asking help from Robin.  She helps him escape and teaches him to adapt socially.  Stephen learns to do so, little by little and in the process,  falls in love with her.   Meanwhile, animals around the neighborhood are being mysteriously murdered, their throats slit.   Soon, it is a little girl.  The neighborhood is terrified and they want their monster…

The Review :

If you pick up an Alice Hoffman novel, expect to always have a contemporary story steeped in a bit of fantasy or magic told in her lovely prose.  Second Nature tackles the human foible of judgement borne from fear and grief  and the  wonderful  inherent human propensity to love.

Hoffman’s writing style is graceful where her thoughts  segues seamlessly from one point to another.  She can move from pleasant to sinister without missing a beat.  The change is so subtle,  smooth and flawless; this is what I really appreciate in Hoffman’s style.

The Wolfman character is dealt with quite well, with Hoffman sketching a believable portrait of his emotions and his thoughts while the character tries to fit in a world he does not understand.

To Read Or Not To Read :

Some readers stay away from fantasy because one is required to “live in another world” while at it.  Hoffman, though, combines a sprinkling of fantasy in a vat of reality to come up with a sub-genre called “magic realism”.  Stories are contemporary with realistic characters and settings but the reader is still required to accept the magic or fantasy as a reality to be able to enjoy the genre well.

Hoffman revels in this genre.  With this book,  she seems to show a wonderful understanding of human nature,  its strengths and failures.

Unfortunately, there are some flaws in this novel, some absurdly unbelievable.  To cite an instance, Robin was able to take the Wolfman from the hospital without a furor being raised later over his whereabouts.  While gaffes like these would surely irritate some readers,  others, like me, may choose to ignore them and just go with the flow.   In doing so, you will  discover a novel with a lot of heart.

My Mark :  Quite Good!

After witches and black magic,  I wanted to lean towards the other end of the pole for something inspirational and good.  The Shack is my second read for my Fall Into Reading 2009 challenge.

Author :  William P. Young

Date of Publication :  July 1, 2007 (1st edition — paperback)

Publisher :  Windblown Media

ISBN-10: 0964729237

ISBN-13: 978-0964729230

No. of pages :  256

The Story:

Mackenzie Phillips is an average family man whose Christian faith is perhaps, like all the rest — seemingly steadfast,  until tragedy of immense proportions strikes.  Mack takes his kids, one day, on a camping trip where this life-changing event takes place.  Missy, his six-year old daughter is kidnapped and the worst is presumed.  A massive manhunt begins.  Soon evidence of Missy’s brutal murder is found through her bloody red dress on the floor of an old, ramshackle shack in the middle of the woods.  Not a trace else can be found, neither her body nor any DNA imprints from her abductor.

After four years, Mack still has no closure.  As he struggles with relationships within a family still struggling to cope in the aftermath, so does he wrestle with his relationship with God.  One day, Mack receives a note inviting him to go up to the shack.  The note is signed, “God”.

Angry, intrigued and prepared for the worst, Mack makes a trip up to the shack.  To his surprise, he does meet God…Jesus and the Holy Spirit as well.   But They are not who Mack expects.

My Review :

This is a kind of book that strikes the core of anyone who has ever been a parent. For what is a parent’s greatest fear but that of losing his beloved child? And how does one cope with a loss this staggering; more emphatically how does one come to terms with God, the only One a person is supposed to rely on when all else fails? How can one trust Him who has allowed such a horrible tragedy to happen? How can one even believe He exists?

These are the painful and complicated questions to which The Shack ambitiously tries to grapple. It does so by laying down the the framework of  Christianity, told through a beautiful story of a grieving father coaxed back toward redemption through face-to-face conversations with the Holy Trinity about questions that have plagued many a religion. Why does God allow evil? Why is there evil?  Why me?

This book answers philosophical questions with simplicity, distilling them down to their essences. It aims to cover man’s questions about existence sans religion;  although, it really pushes “Born-Again” Christian philosophies more than anything.

At the onset of Mack’s meeting with God, the author wipes out preconceived notions of God’s physical attributes giving totally different “looks” and personality to Him. God the Father is a big black woman; Jesus is an average looking Middle Eastern guy; the Holy Spirit is an Asian woman. Thus the author signals us that what his God will say are probably stuff that never occurred to you or was never taught in school theology.

The Shack is really a touching book, if you allow it to be.  It is over simplistic ; but God’s lessons,  although delivered so plainly does need some time to absorb. You may have to re-read some conversations and mull over them in order to get the full import of what the author wishes us to realize.

It’s quite easy to understand the popularity of this book.  It is by no means preachy (thank goodness, as I have an aversion to those).   I think the author was careful not to make it so.  He cleverly persuades the reader to look at it his way by creating casual conversations between God and Mack.  This way, he isn’t directly telling the reader what he ought to believe. The book is popular because it is simple, fictionalized into a heart-warming story which can touch Christians of all persuasions— Catholics, Baptists, Adventists, etc.  The author’s objective, I believe, must have been to write a book that would reach a wide audience, and to be sort of a subtle “missionary” piece of work. From this perspective, I’m sure it has achieved what it was meant to do.

To Read Or Not To Read :

Whether to read this or not, I give mixed encouragement.

If you are put off by authors who humanize God, the depiction of God as a colored woman in a colorful “mumu”, baking pies while fielding answers to serious questions may not be your cup of tea.

To read this book, you must drop all prejudices and just try to get into the author’s head — really look at what he is trying to say and you may just discover some really good philosophies. They may not answer everything but what man can, anyway? William P. Young, though, makes a marvelous try.

Some Catholics may find this a bit pushy on the “Born-Again” Christian concepts; but then, most of the lessons here are pretty universal and the reader may be enriched by them:

God : “Mack, just because I work incredible good out of unspeakable tragedies. Don’t ever assume that my using something means I caused it or that I need it to accomplish my purposes. That will only lead you to false notions about me. Grace doesn’t depend on suffering to exist, but where there is suffering you will find grace in many facets and colors.”   — p. 185

God :  ”All evil flows from independence, and independence is your choice.  If I were to simply revoke all the choices of independence, the world as you know it would cease to exist and love would have no meaning.  This world is not a playground  where I keep all my children free from evil.  Evil is the chaos of this age that you brought to me, but it will not have the final say.  Now it touches everyone that I love, those who follow me and those who don’t.  If I take away the consequences of people’s choices , I destroy the possibility of love.  Love that is forced is no love at all.”  — p. 190

In A Nutshell:

One important criteria I usually keep in mind when reviewing a book is how successful an author has been in accomplishing what he set out to do.   He may have characters I may not like nor identify with but if he was able to do what he aimed to do, (ex. create a character and develop him realistically),  I regard this as a success and factors heavily in my decision toward a good rating.  Why do I say this?

A number of condescending reviews have been written to complain of the naivete  of Young’s concepts, his lop-sided depiction of  God— kind, patient, forgiving, loving… (where is His other side, the side that punishes (ex. The Great Flood),  that is wrathful of  sin (ex. Sodom and Gomorrah)?)

Perhaps, they have missed the point of this book.  The author’s mission for this story is  redemption, about persuading people to turn back towards God and faith. This is what I believe Young set out to do.  Therefore,  to inspire people to do so, he wrote something simple, easy to read, with a topic close to people’s hearts, and with a God who is benevolently reaching out to them.  If this book has touched someone enough for him to discover God again, then Young is a success.  And this book has touched many.

If The Shack has made a mark on you, however small, then it is a good book to get back to from time to time, one deserving of a permanent space on your shelf.

My Mark  :  Outstanding

Merrick” wasn’t too heavy on the gothic atmosphere so it was not difficult to decide to pick up another gothic-themed novel for the R.I.P. IV Challenge. “The Glass Books of the Dream Eaters”, was initially quite far down my TBR list before this challenge; but, being one mentioned in the pool of books the challenge host, Stainless Steel Droppings, had lined for himself, I decided to plunge into this heavy, page-laden book for my next read.

Author : Gordon Dahlquist

Date of Publication : 2006  (Hardcover edition)

Publisher : Bantam Books

ISBN-10: 0385340354

ISBN-13: 978-0385340359

No. of pages :  768

The Story :

In Victorian England, a rich plantation heiress receives an abrupt “dear john” letter from her beau.  In her pride, the stricken Miss Temple decides to follow her fiance to find out the reason for his rejection.  She tails him on a long train ride and arrives at Lord Vandaariff’s huge labyrinthine Harschmort Manor where a  masked ball is in full swing presumably for the engagement of Vandaariff’s daughter to the German Prince of Macklenberg.  She is mistaken as a woman sent to undergo a mysterious “Process” but is soon discovered to be a gate-crasher, deemed to have seen too much.  Suddenly Miss Temple finds her little adventure taking a dangerous turn when she is forced to save her own life.

At that same time, a half blind assassin, Cardinal Chang, is at the ball with a mission to terminate a Colonel Trapping.  He creeps about for his quarry only to find him already murdered.  But who, why, and how are questions that leave him baffled.  A few days later, he is approached by a wealthy sophisticate  who asks him to find a woman, Isobel Hastings (Miss Temple who gave an assumed name) who is believed to be the killer of the Colonel.

Meanwhile,  Doctor Abelard Svenson of the Macklenburg Prince’s entourage loses his charge in Harschmort Manor.  His search leads him to conclude that  something sinister is brewing in the Vandaariff home.  His independent investigation suddenly imperils his life but his duty-bound nature forces him to continue to try to protect his Prince.

In pursuit of their own agenda, these three people stumble on a secret cabal whose sinister plans involve strange alchemical scientific processes and malign blue glass books which serve as a dire yet addicting repository of memories while relinquishing a person of the same.  Anyone who stares into its thin, crystal pages is stripped of their personal memories and turned into pleasure-addicted, compliant zombies, easily controlled and subverted to the group’s aims.

Miss Temple, Cardinal Chang, and Doctor Svenson propitiously meet and form an unlikely triumvirate bent on stopping this unholy cabal.

What follows is a merry chase with mystery, suspense, science fiction, and even a little romance.  Lest this be construed as simply a long, quaint narrative, Dahlquist has thrown in a good deal of  sex and a bit of gore in the mix which contrast quite nicely with its Victorian prudery and formality.

The Review :

The Glass Books of the Dream Eaters” is a brilliantly creative debut from author, Gordon Dahlquist.  It is a unique albeit outlandish novel that will, as you read, play out old-fashioned comic book scenes in your head.  Indeed, the narrative would lend itself very well to comic strip illustrations of its events, complete with “Boom!”, “Pow!”, “Whack!” sounds written on it.   And like an old-fashioned comic book, the heroes often extricate themselves from sticky situations after long dialogues with the villains, instead of each realistically  going straight into action to resolve the conflict.  Although an annoyance to some, it does have its charms, especially when executed with Dahlquist’s wonderful prose.  Besides, such an outdated style is quite at home with the book’s outré antiquated atmosphere as well.

Although the book has this unreal yet special flavor, its characters are surprisingly well developed, each discovering himself/herself as the adventure unfolds.

Division of the book’s chapters deal with the narrative accordingly from one character’s perspective.  So for instance, one chapter deals with adventures of Miss Temple, the next, those of Cardinal Chang, etc.  Being long chapters, the reader may find himself going back through a previous few pages to refresh his memory of the others’ experiences.  Still, it wasn’t much of an annoyance as, on the whole, the book had cast its charms on me enough to discount little bothers like this.

What is most captivating about the book is not its unusual plot nor its dark  steampunk  theme but its author’s ornate prose that gives so much allure to the novel.  His style is romantic yet explicitly descriptive, laced with intelligent humor and irony:

“His hair was pale but streaked with grey, long and greasy, combed back behind his ears.  His coat was fine enough but unkempt— in fact the man’s whole appearance gave the impression of a once-cherished article — a sofa, for example — that had been left in the rain and partially ruined.” — p. 155

“Moral perspective is what we carry around with us — it exists nowhere else, I can promise you.   Do you see?  There is liberation and responsibility — for what is natural depends on where you are, Bascombe.  Moreover, vices are like genitals — most are ugly to behold, and yet we find our own dear to us.” — p. 164

To Read Or Not To Read :

To enjoy this book,  be prepared to suspend disbelief and just go with the flow.  After all, it is fantasy.

Mind you, this is a lengthy novel, of which its chief fault (according to some reviews), is its wordiness and long-windedness.  For me, however, this is exactly the novel’s charm as it rests on Dahlquist’s excellent descriptive prose, without which a  book like this can become rather tedious and boring when rendered with a flat, indelicate hand.   Slash the verbiage and this may end up an unremarkable read — not bad, but not great either.

You must have the time to indulge in this book;  otherwise,  you’ll be better off with something else.

As An Aside :

For all my praises for this novel and despite its glowing reception by critics, Bantam Books, its publisher,  has written this off as a massive failure. The book failed to pull in the sales and lost Bantam over U$850,000, after having advanced two million U. S. dollars to the author for a two-book deal.

Most of those, however, who have put in the time to read the book, review this novel with praises.  Perhaps, in time, more readers will get to know this atypical literary work and appreciate it for its originality.

The sequel, “The Dark Volume“, must have already been released this year.   This definitely goes into my list of “must-haves” for 2009. :)

In A Nutshell :

This is one of the best books I’ve enjoyed this year.  Its strangeness and inventiveness coupled with Dahlquist’s superb writing skills really had me riveted.  A definite keeper!

My Mark  :  Excellent

Author :  John Dunning

Publication Date :  January 25, 2005

Publisher :  Pocket Star Books

ISBN-10: 0743476298

ISBN-13: 978-0743476294

No. of pages : 496 (Mass Market  Paperback)

The Story:

Homicide cop turned book collector and seller, Cliff  Janeway acquires a valuable book written by a famous Victorian era explorer, Richard Burton.  The book is in pristine condition and worth thousands of dollars; but,  Janeway’s pleasure is short-lived.  A ninety-year old woman shows up at his door, claiming ownership of the treasured book through her grandfather, Charles Warren, whom she  insisted to have been Burton’s companion during one of his travels.

Furthermore, she  tells  a surprised Janeway that the book  is only part of an incredible library of Burton material, all of  which had been sold unscrupulously to shady book dealers.    A few days after,  the old woman is on her deathbed and extracts a promise from  Janeway :   find the rare collection, in particular,  a priceless journal which purportedly Burton gave to her grandfather for safekeeping.

What starts out as a skeptical investigation soon becomes a serious and deadly tag with other treasure hunters.  When a friend is murdered, Janeway realizes there is something more than just treasure hunting.  A past secret is being covered up and Janeway  is now in the way.

The Review :

With “The Bookman’s Promise“, John Dunning presents us with some refreshing elements for a crime/mystery thriller. Now a book collector is a macho hero and the hullabaloo is about books — old, invaluable books written by a real live explorer, Richard Francis Burton.  Plus, the author incorporates the world of a book trader which makes for an interesting facet in this novel.

As much as Burton becomes, through Dunning’s engaging portrayal of the man,  an intriguing personality for a number of his readers, this novel still very much targets a small niche in the reading  audience.  Not many, this reviewer included, have heard of this famously irreverent explorer and so may have some difficulty in appreciating the novel in the way it deserves.  One simply cannot appreciate Burton’s idiosyncrasies or whatever the author wishes to please us with if one does not know him. Familiarity of Burton is indeed essential for the full enjoyment of this book as the core plot is rather mundane, despite the aforementioned new elements.

However, if you are familiar with Burton, you may take a different tack.  You would perhaps revel in the fictitious or factual (I wouldn’t know which) details generously written in the book and pronounce Dunning’s novel a capital one.  This is simply this reviewer’s conjecture on something she is not very sure about.

Like its hero, the prose is quite masculine.  One could immediately discern that the story was written by a man, which is nice as long as the testosterone is not overly used to include most of its characters.  However, it does, as the majority of the characters, whether male or female, exhibit a strong will and drive.

Dunning’s characters show too many strong traits as to render them sometimes irksome and distant.    For instance, Erin is a sassy lawyer who constantly takes offense at anything she deems chauvinistic.  This is okay in some situations but downright pesky in some, where, in reality,  she clearly will be in the way.  She is not a character one can empathize much with, unless one believes that someone can be constantly strong and fearless.   There seems a lot of sass in the dialogues, too, between characters which tend to be tiresome halfway through.

In A Nutshell :

The Bookman’s Promise” is neither a great novel nor a very bad one.   One major weakness is that a reader’s  unfamiliarity with Burton  may be a significant block for him seeking to enjoy this novel.  This, and possible character non-empathy could be two very detrimental factors in capturing reader interest.  Otherwise,  it could be an enjoyable read.

Having said these, I recognize that there are probably two stark opposing camps to this novel :  those who loved it (readers who understood the nuances of Burton and the book trade) and those who just couldn’t get into it (readers who don’t know a fig about them).   Sadly, I belong to the latter for the reasons stated above:  I don’t know Burton and I just couldn’t like the characters so much.

My Mark :  Mediocre

But you must read the book to know for sure.

After two biblically oriented novels,  reading a novel set in our millennium with all the techno stuff and modern mores was a welcome change.

Author :  Lincoln Child

Publication Date :  October 31, 2006

Publisher :  Anchor

ISBN-10: 0307275566

ISBN-13: 978-0307275561

No. of  Pages :  416


The Story :

Consider this :  a matchmaker that can faultlessly predict your soul mate.   No more senseless dates, no uncomfortable and embarrassing encounters, no more guessing games.  Meet the spouse of your dreams!  For a service worth every penny,  Eden Inc., provides its daily hopefuls with matches made in heaven.  The secret behind this behemoth company’s success is a sentient computer program that can, aside from finding perfect couples,  creatively develop its own problem-solving skills and learn from its mistakes.

But Eden Inc.’s smug confidence cracks  when a very happily matched couple  (with a rare compatibility rating of  a hundred percent) is found dead with what looks like a double suicide.  The company hires a forensic psychologist, Christopher Lash, to investigate the tragedy of such a perfect union.

No motives or inclinations for self destruction nor murder appear to explain the deaths and Lash is stymied. The company seems puzzled as well.  And then, the next super couple is found dead, too, from suicide.  Lash intensifies his hunt; but the perpetrator launches a detrimental campaign against him.  As Lash works obsessively to piece the impossible enigma together,  someone with the clout and technology, changes his personal data so that Lash finds himself in a dangerous mess.  He must solve the riddle of the deaths to save himself as well.

The Review :

The first chapter opens with the neighbour resolving to investigate why the Thorpe baby, who hardly ever cries,  is unendingly squalling next door.  She enters the house and sees that:

“…the infant was strapped tightly into her high chair, facing the living room.  The little face was mottled from crying, and the cheeks were stained with mucus and tears.  Maureen rushed forward.  “Oh you poor thing.”…. she fished for a tissue, cleaned the child’s face.

But the crying did not ease.  The baby was pounding her little fists, staring fixedly ahead, inconsolable.

It took quite some time to wipe the red face clean, and by the time she was done Maureen’s ears were ringing with the noise.  It wasn’t until she was pushing the tissue back into the pocket of her jeans that she thought to follow the child’s line of sight into the living room.

And when she did, the cry of the child, the crash of china as she dropped the cookies, were instantly drowned by the sound of her screams.”

This ends the first chapter after which the reader is hooked and reeled in to read some more and find out : “What did the neighbour see?”.  It isn’t until chapter five that the author reveals what could possibly have frightened the neighbour.  By this time, one is already riveted enough to keep the pages turning.

Here we have death, mystery, impossibilities, and an enigma that seems to defy logical explanations.  The reader is compelled to turn page after page to see how the author resolves the quandary at which he keeps the reader wondering as well.

Unfortunately , the whodunit aspect of the story unravels to a disappointing revelation.  Perhaps this reviewer is simply jaded by the same plot ending as those of numerous science fiction movies on artificial intelligence, which have been popping up for several years now.  The conclusion seems to be a hackneyed modification of many a techno thriller with sentient computers as their focus.

Perhaps, if the A.I. theme were new and less explored, this book would be a blockbuster with a great, surprise ending.  But since this isn’t the case anymore, it’s a “roll-your-eyes”, “aww…not again” story that may make some want to throw the book after having had their anticipation built up most of the way.

This doesn’t take away, though , Child’s superb skill for suspense-thriller writing.  Being half of the great Preston-Child writing partnership of many outstanding suspense-mystery-thrillers, Child is no average author of this genre.  He does know how to grip one’s attention, build incredulity and suspense, and elicit steady page-turning well into the night.  For this novel, he cranks out at full speed all the way through the finish line; although around one-eighth of the way before the end, the effects are diminished considerably by the corny predictability of it all.

Please bear in mind, however, that this review is from a perspective of one who is simply tired of the same themes on artificial intelligence in science fiction stories.  If you have not yet been overly fed with a such a diet, this novel would be a terrific one to lose yourself in.

To Read Or Not To Read :

Since I can’t discuss what I mean by the same A.I. theme without the revealing the spoiler, the reader will just have to find out by himself.  (I’m sure those who’ve had a good share of sci-fi movies, know by now what I’m talking about.)  Again,  if you haven’t watched much on computers and robots, then you’ll thoroughly enjoy this novel to its very end.  Otherwise, be prepared for a mediocre landing.

In A Nutshell :

It’s all about The End.  Here’s wishing that the author, having come up with a very strong beginning and having been able to sustain its pounding plot with irresistibly interesting events, chose his villain more creatively  in order to bring this book to a table-slapping, satisfying conclusion.

Once more, despite its mostly exhilarating eventualities and puzzling “whos”, “hows”, and “whys”, I must rate “Death Match” with the feeling it left me after I’ve turned the last page.

My Mark :  Good (Could have been better…)

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